Archive for octobre 7th, 2010

octobre 7, 2010

V.A – Crooklyn Dub Outernational – Certified Dope 4 Babylon’s Burning

https://babylonburnradi0.files.wordpress.com/2010/10/certified_dope.jpg?w=300

http://www.sacreddub.com

 

Origine du Groupe : V.A World

Style : Electro Dub

Sortie : 2004


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Nine years ago, a loose collective of rebel souljahs calling themselves the Crooklyn Dub Consortium launched a new movement in sound with the seminal Certified Dope, Volume 1 (WSCD003), a
compilation which defined a burgeoning style from the underground dubbed « Illbient » by the press. Once again, one-upping the downtempo dummies, the crooked knights–including Spectre, Scotty
Hard, HIM, and Bill Laswell– return to prove that good music will always outlive the hype. Certified Dope, Volume 4 (WSCD048) stands as a testament to the awesome power of the Sound. Count on
the expanded Crooklyn Dub Outernational to define these crucial times with this latest slate of dubwise illtronica. Babylon’s Burning, ya heard? Or do the powers that be want you to party and
bullshit till oblivion? Crooklyn Dub has the sonic cure to get you through the commercial blues. And as always, all styles and flavors represented here ripple with originality. French dub powers
Brain Damage and Lab lead the charge with the haunting collabo, « Ph neutre, » sounds from the Other Side. From the deviant dub-hop of Philosophy Major’s « The Soundless Hum of Prayer » to the
digital roots of Zion Train’s « Modimo, » the kaleidoscopic mix is seamless yet unpredictable. Twilight Circus suprises us with the world class dub-funk of « Twlight Circus Meets WordSound Inna
Crooklyn 2003 Style, » while Bill Laswell takes it back to the old school with Sly & Robbie riding shotgun on « Finite State Machine Dub. » Roots Control rides the crushing backbeat of
« Boombastic » to dubwise glory. And Doug Scharin’s HIM outfit has grown in leaps and bounds as they display adept musicality on « Disco Lips. » Meanwhile, left coast assassin King Fader treats a
Systemwide beat like Adrian Sherwood on « Eyupsultan » as bonny Prince Charming treats us to his delightful dub rendition of « A Touch of Romance. » For the hard stuff, look no further than Scotty
Hard, who’s coughing up chunks of suspicious dub matter on « Smoke Damage. » Teledubgnosis, too, lends some earth-shaking dub-rock to the set with « Ladies &Gentlemen…. Always. » World famous
DJ/Rupture represents with the tweaked out madness of « Pleasure Ruin Dub, » and bass terrorist Spectre never disappoints with the all out low-end assault of « Al Quaida. » Always light years ahead
of the pack, the genre-bending, boundary-breaking WordSound proves, once again, that Crooklyn keeps on making it HOT. Much more than music, this is a sonic tonic for survival as Babylon
burns.

by http://www.wordsound.com

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Tracklist :

01      Ph Neutre

Brain Damage and Lab°     4:31

02     The Soundless Hum Of Prayer (Remix)

Philosophy Major     4:04

03     Finite State Machine Dub

Bill Laswell     4:49

04     Modimo

Zion Train     5:08

05     Eyupsultan (The King Fader Mix)

Systemwide     6:55

06     Disco Lips

HIM     5:32

07     Twilight Circus Meets WordSound Inna Crooklyn 2003 Style

Twilight Circus     4:02

08     Boombastic

Roots Control     4:25

09     A Touch Of Romance

Prince Charming     3:28

10     Smoke Damage

Scotty Hard     7:52

11     Ladies and Gentlemen… Always

Teledubgnosis     4:01

12     Al Qaida (The Bass)

Spectre     4:51

13     Pleasure Ruin Dub

DJ /rupture     3:24 

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octobre 7, 2010

Subheim – Approach

https://i1.wp.com/s005.radikal.ru/i209/1006/7b/c3ff0deac5b0.jpg

http://subheim.com

http://www.myspace.com/subheimmusic

Origine du Groupe : U.K

Style : Electro Deep , IDM , Ambient

Sortie : 2008

Cette grande famille que l’on désigne communément sous le nom d’IDM a vu ces dernières années bourgeonner quelques pouces mettant à l’honneur le piano. Suivant la voie tracée par Aphex Twin avec
son génialissime Drukqs, c’est tout un pan du courant qui a su utiliser à bon escient cet instrument, lui faisant assumer la ligne mélodique tout en reléguant aux synthés le rôle d’ambianceurs
d’arrière plan : Port Blue, Boy Is Fiction, The Flashbulb ou encore Kattoo.

Derrière Subheim se cache Kotas K, fondateur, avec Katja, du collectif grec SpectraLiquid. Katja est la chanteuse qui pose sa délicieuse voix sur Howl ou Voces Perdidas. Ce premier essai de
Subheim est d’une grande poésie. D’ailleurs, Kotas K lui-même ne tarit pas de métaphores lorsqu’il s’agit de présenter son album : sentiments intérieurs et leurs cris de désespoir, villes, ciels,
âmes solitaires sur les toits, la laideur urbaine qui a bloqué notre regard vers l’infini, et j’en passe… Pour son petit cocktail de mélancolie, Subheim propose une formule mélangeant donc ce
fameux piano, les plages d’un synthétiseur, les violons, et les rythmiques glitchées comme le veut la coutume. L’apport de Katja est tout à fait appréciable dans le sens où les collaborations
avec une chanteuse se font plutôt rares – inexistantes ? – pour cette branche de l’IDM. Il participe, avec les violons et le piano, de cette acoustique devenue une qualité au sein de cette scène.
En fait, c’est comme si « l’Intelligent Dance Music » avait trop longtemps usé et abusé des possibilités offertes par l’électronique, et qu’elle se rendait aujourd’hui compte de la valeur que
peuvent prendre de véritables instruments lorsqu’ils sont adroitement soulignés par la synthèse expérimentale. Un nouveau souffle puisant son inspiration dans une sorte de retour aux sources.

Au delà de la marque de bon goût, Subheim sait pondre ces petites mélodies qui nous touchent en bien peu de choses. Les violons s’accordent en symbiose avec les cœurs de synthé. On peut aussi
sentir un travail notable dans les réverbérations et la façon dont les sons se déploient dans le champ stéréophonique. La musique de Subheim est d’une somptuosité remarquable. Sa sauce se déverse
onctueusement dans nos oreilles et on peut difficilement rester insensible à l’émotion dégagée de chaque pièce. Kotas K est un homme de talent, et sa galette est pour un premier essai une
parfaite réussite. La conjoncture actuelle n’étant pas particulièrement favorable à l’IDM – qui pleure encore la mort du projet Kattoo il y a quelques mois, ou celle presque annoncée par le boss
du label Alphabasic pour la sortie du dernier The Flashbulb – espérons à Kotas K que son projet Subheim, et plus généralement son collectif SpectraLiquid, arrive à faire son bonhomme de chemin.
L’IDM grec est entre de bonnes mains.

par Tehanor

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Tracklist :

01/ Hush

02/ Ybe 76

03/ One Step Before The Exit

04/ Howl (feat. Katja)

05/ Away

06/ Hollow

07/ Stranded

08/ Intact

09/ Voces Perdidas (feat. Katja)

10/ Mobthrow-Hollow (Remix)

11/ Flaque-One Step Before The Exit (Remix)

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octobre 7, 2010

DJ Muggs Vs. Ill Bill – Kill Devil Hills

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http://www.myspace.com/djmuggs

http://www.myspace.com/illbill

 

Origine du Groupe : North America

Style : Hip Hop , Rap Fusion

Sortie : 2010

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June 10th, 2010 –  DJ Muggs is one of the industries most talented and best known producers.  Since Cypress Hill’s formation in 1991, the pioneering rap-rock quartet has come a long way
from the streets of South Central L.A. Over the course of its 19-year history, Cypress Hill has sold more than 17 million albums worldwide, including more than 11 million records in the U.S.
alone. The group has garnered 15 multi-platinum, platinum and gold certifications from the RIAA; headlined Lollapalooza, Woodstock and the group’s own Smokin’ Grooves tour, appeared on « Saturday
Night Live, » made the late-night talk show circuit—all the while breaking down the musical and cultural barriers between hip-hop, alternative, metal, rock, reggae, ska and Latin music. In 2008,
DJ Muggs, along with Cypress Hill received a VH1 Hip Hop Honors, to celebrate the vision and innovation that the group continues to bring to Hip Hop, strengthening its force around the
world. 

Yet, that only touches on what Muggs has done as a member of Cypress Hill, as his highly-influential solo-projects (Soul Assassin Series, Grandmaster’s with Wu-Tang Clan’s GZA) and not to mention
producing hits for House of Pain « Jump Around » and Ice Cube « Check Yo Self » among many others.  Ill Bill was obviously honored to be working with Muggs, as he affirms « I’ve always been a
huge Muggs fan and his Vs. series is one of the last places to hear the vibe that made albums by Cypress Hill & Gang Starr so dope. Not too many producers can craft an entire album on their
own, let alone an album that’s a classic. Muggs has done it many times over the past 20 years. It’s an honor to be part of that legacy. »

For the vast majority of his career, whether solo or in a group capacity, Muggs has established a precedent for working hand in hand with artists and creating cohesive bodies of work, rather then
spreading around beats from project to project and that rings true once again on Kill Devil Hills « I prefer getting in the lab and actually creating projects with people instead of just sending
out beat CDs. I’m a producer in the fullest extent, where I like to not only produce an album; but craft an album. Being able to start a record from the beginning and following through with it,
making sure that all the songs compliment each other. I’ve always come from making albums and producing my records—I’m still into that » relays DJ Muggs.

Ill Bill was a founding member of Non Phixion who released their seminal debut, The Future Is Now, in 2002 and has also released two influential solo LP’s.  Bill has also released an LP as a
member of the bi-coastal conglomerate La Coka Nostra (which also includes Everlast, Danny Boy and DJ Lethal of House Of Pain and newcomer Slaine).  Ill Bill’s The Hour Of Reprisal (2008)
showed flashes of what the future would hold, as Bill & Muggs collaborated on two tracks (« This Is Who I Am » & « Only Time Will Tell ») for Bill’s most recent solo-LP.

Kill Devil Hills is entirely produced by DJ Muggs and features appearances by B-Real, Raekwon, Sean Price, Everlast, Slaine, Chace Infinite, O.C. Q-Unique, Vinnie Paz and others, but by going
where instinct took them, Ill Bill & DJ Mugg’s collaborative union manifested into a sonically cohesive album; seemingly very organically as Ill Bill asserts «  »Production & conceptually,
this record plays out like a movie. All the songs connect. It moves like a concept record the way the beats blend with the words even though we didn’t plan it like that. It’s basically it’s own
sound, the Muggs vs. Bill sound » and Muggs adds « the chemistry between us was very natural. Any decisions we had to make, it was easy, like we’d worked together for years.  When we sat back
& heard the final product, man, we were both blown away. »

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Tracklist :

01. Cult Assassin

02. Trouble Shooters ft. Sean Price, O.C. & Sick Jacken

03. Paul Stanley

04. Illuminati 666

05. Amputated Saint ft. B-Real

06. Skull & Guns ft. Everlast & Slaine Of La Coka Nostra

07. Giants Stadium ft. Q-Unique

08. The Owl

09. Millenniums Of Murder

10. Chase Manhattan ft. Raekwon

11. Luciferian Imperium

12. Ill Bill TV

13. Secrets Worth Dying For ft. Chace Infinite

14. 2013

15. Kill Devil Hills ft. B-Real & Vinnie Paz

16. Narco Corridos ft. Sick Jacken & Uncle Howie

 

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octobre 7, 2010

Pulshar – Babylon Fall Collection

https://babylonburnradi0.files.wordpress.com/2010/10/babylonfallcollectionix4.jpg?w=300

http://avantroots.com

http://www.myspace.com/pulshar

http://pablobolivar.wordpress.com/pulshar

Origine du Groupe : Spain

Style : Electro Dub , Deep Dub

Sortie : 2007

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Hypnotic And Deep Soundscapes, A Bass-Line Full Of Soul And Sensuality, Contemporary Ambient-Dub… Highly Addictive Music From The Very First Listen. Pulshar Is Influenced By Hip-Hop And Blues,
Dub Reggae And Psychedelic Rock, Showing Exquisite Taste Playing With Loops And Samplers, And Great Skill In Creating Distinctive Catchy Melodic Rhythms. The Music And Voice Of Pulshar Are
Unique. Layers Of Evolving Sounds And Rich Ancestral Textures That Take Us On A Journey Where Space And Time Become Intertwined And Confused. Are Pulshar A Divine Revelation? The Foundations Of A
New Era Where Soul And Electronic Music Stay Together Thanks To This Solid And Advanced Musical Performance.

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Tracklist :

1. Mr Money Man

2. Ashmatic

3. No Meditation

4. KMS (Pablo Bolivar Space Edit Remix)

5. KMS

6. Dub By The River

 

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octobre 7, 2010

The Abbasi Brothers – Something Like Nostalgia

https://babylonburnradi0.files.wordpress.com/2010/10/abbasibrotherssomethinglikenostalgia.jpg?w=300

http://abbasibrothers.com

http://www.myspace.com/abbasibros

Origine du Groupe : North America

Style : Alternative , Psychedelic , Downtempo , Post Rock

Sortie : 2008


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Yousuf and Amman Abbasi create « sound-scenes » that immediately fill the void left by your daily mundane routines with an intricate, dreamy, and nostalgic sound. Closing my eyes I can’t help but
see moving images of nostalgic events that took place somewhere in another life. This is the music for the waving hands on the platform of a leaving train; music for the hopeless bolts through
endless cornfields; music for the fallen tears on a park bench erstwhile drenched in rain. The fifteen scenes split into tracks defy the genre classification. Yet the album, two years in the
making, clings tightly to the nomination as the modern classical soundtrack of my life. I could also see the Abbasi Brothers fighting for my Best of 2008 list, when the time comes [something I
felt from the very first track]. Something Like Nostalgia is scheduled for a release the summer of ’08 worldwide. Highly recommended if you like Skyphone, Deaf Center, Elegi, Marsen Jules, and of
course, Clint Mansell. Every track is a gem.

by HEADPHONE COMMUTE

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Tracklist :

01. Stacy’s Day Parade

02. Kompa

03. Something like Nostalgia

04. Camera Flashes Blue

05. The Way of the Wanderer

06. Dreams of a Graffiti Artist

07. The Social Evening (in 1992)

08. Mr. Boe

09. A Long Weekend

10. In a Field

11. Playtime in Spacetime

12. Approaching the End

13. Fragments of Memories as a Child

14. Reprise

15. Clouds are Sleeping

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