Archive for ‘Electro’

novembre 1, 2010

Le Tone – Le petit nabab

https://i2.wp.com/www.qobuz.com/images/jaquettes/3298/3298499000930_600.jpg

http://le-tone.fr

http://www.myspace.com/letone

Origine du Groupe : France

Style : Electro , Turntable

Sortie : 1999

Bon bin en fait, Le Tone, c’est encore un de ces mecs qui bidouillent de la musique à grands coups de samples, de scratchs et d’autres trucs dans le genre. Des trucs que tu n’as même pas besoin
d’avoir fait le conservatoire pour jouer de la musique qui swingue…Non, pas besoin…

Jusqu’à maintenant, Le Tone, il n’avait sortit que des singles…Là, c’est son premier album…Tout premier…

En fait j’ai connu le boulot de Le Tone, par le biais de ses pochettes de disques qui sont toujours « hyper-belles »…Ouais, c’est d’abord comme ça que j’ai connu Le Tone. Pis après, j’ai
commencé à entendre des morceaux sur COULEUR 3, «joli dragon» pour être précis et pis aussi «la biche égarée»…Tout de suite, j’ai bien aimé, parce qu’ils étaient «rigolos» ces morceaux…

Donc, lorsque j’ai appris que Le Tone sortait un album, et bin, je l’ai tout de suite acheté…C’est ma foi une bonne initiative…En plus, après l’avoir acheté, j’ai eu la bonne idée de le
placer dans mon MANGE-DISQUES, et pis après avoir fait ça j’ai appuyé sur le bouton PLAY, et pis j’ai écouté…Alors ça aussi, c’est une bonne initiative…

Tout de suite, j’ai adoré…Parce que bon, Le Tone ça ne ressemble pas du tout à ce qui se fait en «musique électronique Française » habituelle…ça ne ressemble pas du tout à Daft Punck, Bob
Sinclar, Stardust ou encore Cassius…Non, non, pas du tout comme eux…C’est tant mieux d’ailleurs, si c’est différent…

D’ailleurs Le Tone, ça ne ressemble à rien du tout de ce que j’ai pu entendre jusqu’à maintenant…Si, si, c’est pas des conneries…C’est sûr que dans cet album il y a des morceaux qui sont bien
dans «l’air du temps» style « Drum ‘nd Bass », « House », « Trip’hop », mais toujours avec cette petite touche «Le Tone»…Enfin, je trouve…ça dépend, je me plante….Vous me direz ce que vous en
pensez…

Autrement la musique de LeTone, c’est de la musique avec plein de jolis p’tits bruits. Comme par exemple «Touhou, touhou» ou encore «Blup» voir même «Wouzwouz»… Mais il y a aussi de très belles
mélodies…Des trucs hyper-reposants…Dès que tu écoutes tu es tout calme, même si tu n’as pas mangé des tartines tartinées au crack ou encore mangé des yaourts parfumés au L.S.D…Non, même pas
besoin de tout ça…Mais bon, ça doit aider aussi….Par contre, il faut resté couché sinon le tête tourne…

Et pis ce qui est bien, c’est qu’encore une fois, Le Tone a acheté une jolie illustration pour mettre sur la pochette et pis dedans le livret…Alors déjà ça, c’est un bon point…Mais, ça dépend
aussi, vous n’allez même pas la trouver belle cette pochette…

Vous me direz ce que vous en pensez…

par http://zata.free.fr permalink

Tracklist :

1. Intro (1:17)

2. Joli Dragon (3:39)

3. La Biche Egaree (4:30)

4. Expression du Domaine de la Lutte (4:31)

5. 7th Floor (1:02)

6. Mauvaise graine (3:46)

7. Pietrafitta (2:57)

8. Sin Gaz (0:18)

9. Is It Love (3:48)

10. Avenue Parmentier 9pm (1:49)

11. Rocky VIII (4:13)

12. The Ray Cup Racing (2:41)

13. Bitter Crop (3:45)

14. Lessivé (7:30)

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octobre 27, 2010

Palenke Soultribe – Wepalenke (Ep)

http://wgmeets.files.wordpress.com/2010/08/ps_w.jpg?w=500&h=500

http://www.palenkesoultribe.com

http://www.myspace.com/palenkesoultribeproject

Origine du Groupe : North America , Colombia

Style : Alternative Fusion World , Electro

Sortie : 2010

Palenke Soultribe just got back from a tour and have released a few remixes from a few bands and a re-edit of their track ‘The Color of your Dreams’ for their fans as a thank you to each place
they stopped at. This Columbian group comprised of two producers and a drummer/percussionist have a unique Cumbia electro dance groove vibe to them and I’m digging it. Check out the free download
of Wepalenke below!

by http://wgmeets.wordpress.com

Tracklist :

1.Palenke Soultribe + Locos por Juana – Afro Sound 04:28

2.Palenke Soultribe + Maleco Collective – Serenata para Ti (Palenke Soultribe Remix) 03:02   

3. »Te Veo » feat. Sr.Mendez 03:01   

4.The Color of your Dreams (Radio Edit) 04:22

 

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octobre 23, 2010

Soundpool – Mirrors In Your Eyes

https://babylonburnradi0.files.wordpress.com/2010/10/soundpool-mirrorsinyoureyes.jpg?w=300

http://soundpoolmusic.com

http://www.myspace.com/soundpool

Origine du Groupe : North America

Style : Electro Disco House , Shoegaze , Psychedelic

Sortie : 2010

NEWS !!! NOW DESKTOPIFY THIS PLAYER HERE

t’s pretty amazing that a music scene as short-lived and ill-defined as “shoegaze” could have such a lasting effect. Named, to the bands’ chagrin, for the disinterested way they would look down
at their feet while playing, the “shoegazers” created ethereal, often majestic sounds by camouflaging their guitars with layers of effects until they sounded more like synthesizers.

The style had its roots going back to texturalists like Brian Eno and Robert Fripp, and was more directly influenced by boundary-pushing indie pop bands like Felt, Cocteau Twins, Kitchens of
Distinction, and the Jesus and Mary Chain. The British “indie dance” craze of the early 1990s gave the shoegazers a ticket to brief stardom, in the UK at least. The sculpted guitar haze worked
surprisingly well with the then-prevalent shuffle rhythms. You could count the major shoegaze bands, all of them British, on one hand. Ride, Slowdive, Lush, and Chapterhouse are the usual
suspects, though there were others, some lumped in erroneously because the critics had nothing better to do. When the Happy Mondays and Jesus Jones faded from public favor, the shoegazers
followed. The scene was dead faster than you could say “Britpop”.

Yet it never exactly died. The original bands split up, but others started to spring up in the mid-1990s. Curiously, many were American. There seemed to be a consistent audience for bands that
inverted the guitar noise of hard rock and turned it into something pretty and ponderous. The rise of electronic dance music gave these bands a new platform for their effects racks and reverb.
And that’s pretty much where things stand, 15 years later.

The New York band Soundpool have been compared to Slowdive, but that really wasn’t fair. On the evidence of their first two albums, Soundpool simply weren’t nearly as good as that. You can’t just
take a mysterious, pretty girl with a pretty voice, add those guitars, and end up with something substantial. Yes, you still have to have songs. And few of Soundpool’s made a lasting
impression.

With Mirrors in Your Eyes, Soundpool have decided to emphasize the disco beats that have always been an element of their music. A good, clean beat that you can dance to can cover a lot of
songwriting shortcomings, but leaders John Ceparano and Kim Field have improved in that area, too. This is still mostly in-one-ear-out-the-other stuff, but it provides a pleasurable, danceable
experience while it’s there. Mirrors in Your Eyes is a very cool-sounding album, and that goes a long way. It could have come out ten years ago, or 15 years ago. Whether that’s a compliment
depends on your perspective.

A crucial key to Mirrors in Your Eyes is that the electronic rhythms work. They’re crisp, sharp, and well-produced, retro rather than dated. Soundpool have gone all-in with the dance thing, too.
These are big, club-ready beats, and better for it. The title track opens the album with a blast of filtered noise and what sounds like an actual synth, before the beat and a surprisingly funky
disco bassline kick in. Field’s thin but beguiling voice slots in beneath the barrage, just where you’d expect it. This is the formula from which Soundpool work for the rest of the album, and
most of the time it succeeds.

The centerpiece is “Makes No Sense”, which finds the all the album’s strongest elements coming together in one three-minute capsule of bliss. With a pounding four-on-the-floor rhythm, acid
bassline, melancholy synths, and interplanetary guitars, the song sounds like someone held up a tape recorder in the middle of a packed club in 1992 while Saint Etienne was blaring. In other
words, glorious. Elsewhere, “Kite of Love” and “Listen” work a more jazzy vibe, while “I’m So Tired” spins out into space in almost gothic fashion.

Inevitably, Mirrors in Your Eyes begins to suffer from some the tracks’ similar template. Some songs go on too long, lost in their own haze. But the only real dud is the limp Jesus and Mary Chain
redux, where Ceparano takes over the vocals. Otherwise, Soundpool’s dancefloor excursion makes a pretty good case for shoegaze’s longevity.

by  John Bergstrom

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Tracklist :

01. Mirrors In Your Eyes

02. But It’s So

03. Kite of Love

04. Makes No Sense

05. Sparkle in the Dark

06. I’m So Tired

07. That Sunny Day

08. Shelter

09. Listen

 

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octobre 21, 2010

Chromeo – Business Casual

https://babylonburnradi0.files.wordpress.com/2010/10/chromeo_business-casual-cover-500x500.jpg?w=300

http://www.chromeo.net

http://www.myspace.com/chromeo

Origine du Groupe : Canada , North America

Style : Electro-Disco , Pop

Sortie : 2010

On n’a pas si souvent que ça l’occasion de baisser les vitres de la 309 GTI ,de mettre l’autoradio à fond et de faire cracher le boomer en écoutant un bon vieux disque de dance music. L’occasion
nous en est donnée avec le troisième album de Chromeo  qui se présente, tout simplement, comme le disque le plus fun de la rentrée 2010 !

Composé de deux canadiens, Chromeo joue une musique electro funk disco retro, assez irrésistible, comme a pu l’être en son temps celle des Rythmes Digitales sur l’album Dark dancer, ou encore
l’electro pop régressive et jouissive du moins connus, mais non moins fameux, DMX Krew.

Après un fameux « DJ Kicks » paru en 2009, dans lequel le duo « Dave 1 + Pee Thug » faisait valoir ses références disco 80’s, Chromeo revient dans les mêmes dispositions avec un album produit cette
fois par Zdar, alors que les deux précédentes l’avaient été par Tiga.

Guitares Rock FM, rythmes disco endiablés, synthés vintage, refrains et gimmicks hits des clubs estampillé 1985, le duo s’amuse comme un fou avec les clichés 80 ‘s et persiste dans un genre où il
est passé maitre, à savoir l’art du recyclage toujours à la limite du mauvais gout. Mais justement, leur grande force est de ne jamais sombrer dans le mauvais gout et de toujours trouver le
parfait équilibre pour que leur musique reste parfaitement écoutable et digeste de bout en bout. Résultat on écoutera « Business Casual » en boucle encore pendant une paire de jours.

par Pop Revue Express

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Tracklist :

01. Hot Mess (3:39)

02. I’m Not Contagious (3:39)

03. Night By Night (3:44)

04. Don’t Turn The Lights On (4:33)

05. You Make It Rough (7:19)

06. When The Night Falls (Feat. Solange) (3:31)

07. CDon’t Walk Away (3:30)

08. J’ai Claque La Porte (2:25)

09. The Right Type (3:54)

10. Grow Up (3:01)

 

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octobre 20, 2010

Laab – VT35

https://i1.wp.com/www.valiza-tools.com/var/valizatools/storage/images/musique/vt35/5274-1-fre-FR/vt35.jpg

http://www.myspace.com/laab

http://www.valiza-tools.com

Origine du Groupe : France

Style : Electro , Glitch , Minimaliste

Sortie : 2010

Infographiste et peintre poursuivant à travers des productions calmes et raffinées un travail de mise en abîme des sens, Laab, que ce soit en live ou dj set, cherche toujours à amener l’auditeur
là il veut : loin. Il débute son travail de composition électronique en 1994. De la techno minimale à l’ambient en passant par l’électro et le break, il poursuit à travers ses productions calmes
et raffinées son travail de mise en abîme des sens souvent teinté d’humour. Exerçant depuis 1994 le métier d’infographiste 3D (voir les Tools de Bernard Stulzaft), peintre apprécié, sa culture
pluridisciplinaire donne à ses travaux une approche réfléchie et résolument moderne. Ses compositions sont construites comme un film avec un important travail de mise en scène, tout s’imbriquant
pour raconter une histoire.

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Tracklist :

01 – Right

02 – Left

03 – Radio Thing

04 – Ambigous

 

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octobre 20, 2010

Buff Roshi – Devil You’re A Liar

https://i2.wp.com/blog.promotion-us.com/Photos/buff.jpg

http://www.buffroshi.com

http://www.myspace.com/buffroshi

Origine du Groupe : North America

Style : Trip Hop , Electro , Alternative , Abstract , Experimental

Sortie : 2010

After six years in the making, film composer and founding member of the 80’s band , Vivabeat, Mick Muhlfriedel and experimental guitarist, G.E. Stinson to release album 6/16/10

Buff Roshi’s debut album « Devil You’re a Liar » marks the first release from the new Cephalophone Music label. The album, featuring cover art by celebrated L.A. guerrilla poster artist Robbie
Conal is the product of a long term studio collaboration between film and commercial composer and founding member of Peter Gabriel discovered 80’s band, Vivabeat, Mick Muhlfriedel and extended
technique guitarist G.E. Stinson, a charter member of the world jazz group Shadowfax. Stinson counts Buff Roshi amongst several current band projects he is part of, including Sleepr Wave, Coded
Source, plus numerous collaborations with Nels Cline.

« I began putting together bits of found sounds and random snippets of music that I had been collecting for sometime with some processed beats,” says Muhlfriedel. “I was a big fan of G.E.’s
Splinter Group and sent some of the tracks to him to experiment with. We then worked together on several additional songs. Eventually, I enlisted Renee Wilson, who added some vocals and later,
G.E. brought in the great John Fumo to lay down some trumpet.”

Of the eleven tracks on the album, Buff Roshi includes two covers, a lush chill-out reset of Pink Floyd’s « Set The Controls for the Heart of the Sun » and « Dark », a circa 1940’s Julie London
b-side featuring vocals by singer-filmmaker Renee Wilson, who appears as Raelette, Pat Lyle, in the Academy Award winning film, Ray.

In 2007 Muhlfriedel circulated a demo of several of the earliest Buff Roshi compositions, which garnered some late night airplay on L.A. hipster station KCRW and resulted in Hong Kong director,
Derek Chang tapping excerpts of two tracks for a Canon Camera commercial campaign. « Buff Roshi somehow manages to infuse layers of cinematic adrenaline with a cool jazz vibe that played well
against the visuals i was going for in the commercials, » said Chang.

by Cephalophone Music — Musical Moods for Moderns

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Tracklist :

01. Blue Days (05:03)

02. Set the Controls For the Heart of the Sun (04:46)

03. Devil You’re A Liar (04:39)

04. It’s Not the End of the World (05:23)

05. Watch As Blast Points Appear (below The Falling Section of Tower) (00:54)

06. Tonight Let’s All Make Love In London (03:46)

07. Flying the French Way (04:03)

08. Dark (05:47)

09. The Hours (00:58)

10. Julie Christie (05:20)

11. This Is How It Goes (05:20)

 

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octobre 19, 2010

Degiheugi – Abstract Symposium

https://i1.wp.com/www.degiheugi.com/wp-content/uploads/2010/06/cover-degiheugi-abstract-symposium-low.jpg

http://www.degiheugi.com

http://www.myspace.com/degiheugi

Origine du Groupe : France

Style : Abstract Hip Hop , Electro Trip Hop , DJ , Alternative Fusion

Sortie : 2010

Deux ans après l’excellent « The Broken Symphony », l’attente touche à sa fin. Quatrième album de Degiheugi , »Abstract Symposium » est un album qui se démarque de ses prédécesseurs.

En effet, si le beatmaker s’est fait connaitre grâce une production essentiellement instrumentale, son dernier effort prend à contrepied toute sa démarche. Vous l’aurez compris, l’album est un
disque vocal : une pléiade d’invités, pour 16 pistes à fort caractère.

Pas de panique, si vous avez apprécié les albums précédents, il y a fort à parier que ce disque ravira vos tympans comme à la belle époque. Comprenez par là que, même si le parti pris de mettre
en avant la voix peut s’avérer risqué pour la solidité de la production du sieur, l’équilibre reste préservé. Au programme, cuts, breaks, « triturage et assemblage », qui ont fait sa renommée, le
tout savamment enrichi par les performances vocales des invités.

Ici le changement est intelligent, il opère doucement et vous surprend au moment où on s’y attend le moins, tout en préservant certaines bases immuables qui donnent à cet artiste tout son
intérêt.

Tantôt jazz, puis hip-hop, ou bien folk acoustique, « Abstract Symposium » est l’album de la diversité… Mais peut-il en être autrement avec Degiheugi ?

Point important, le disque n’est pas téléchargeable gratuitement comme les trois précédents. Il vous faudra le commander sur le site de l’artiste, pour recevoir votre joli album au packaging plus
que magnifique. Alors à vos claviers !

PS : Ma sélection personnelle : No escape, Behind the Wall, Chikery Scratch… Comme quoi, trois morceaux diamétralement opposés, et pourtant tellement efficaces.

par Djeh pour http://www.trip-hop.net

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Tracklist :

1. Time for us (ft. Screenatorium)

2. Abstract Symposium part 01 – The Dirty Man

3. Late at Night (ft. Nomad)

4. No Escape (ft. Ghostown)

5. Abstract Symposium part 02 – For Kid Only

6. Mary (ft. Dr Noodle & Thrifty Astronaut)

7. Freedom Ring

8. Laughin’ at, with you (ft. Nolto)

9. Work It

10. Behind The Wall (ft. Kalyanka & Ghostown)

11. Keeping Memory Alive (ft. Nolto, Andrre, Astronautalis & Nomad)

12. Abstract Symposium part 03 – The Dirty Man (ft. Ghostown)

13. Obscure Clareté (ft.Skap’1& Dr Noodle)

14. Abstract Symposium part 04 – Train Station

15. Great Self Esteem (ft.Nolto & Nock)

16. Chikery Scratch

 

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octobre 19, 2010

Yuka Honda – Heart Chamber Phantoms

https://i1.wp.com/musicoogle.com/uploads/posts/2010-07/1279225955_1.jpeg

http://www.myspace.com/yukahonda

Origine du Groupe : Japan

Style : Experimental , Avant Garde , Electro , Ambient

Sortie : 2010

The versatile composer/performer who has worked with Cibo Matto, Yoko Ono, Sean Lennon, Mike Watt and many others, creates a third CD for the Tzadik Oracles series highlighting her fascinating
new instrumental approach. Mixing funky beats, hip samples and instruments both acoustic and electric, Yuka’s dramatic sense of sound and color creates a hypnotic groove for young moderns.
Endlessly listenable, her first CD in over five years is also her very best!

by http://www.tzadik.com

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Tracklist :

01. Phantom With An Armor

02. Hydrosphere

03. Last Night, Late, By The Lake

04. Heart Chamber, Part I: Rock

05. Heart Chamber, Part II: Zoe

06. Waters On Mars

07. Little Hope

08. Robot Elephant’s Tears

09. Cycle Of Water

10. Don’t Be So Naïve

 

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octobre 17, 2010

Naono – Sleepy Pebbles

https://i1.wp.com/mp3.uzhgorod.name/uploads/posts/2010-09/1284810077_350naono10sp.jpg

http://www.wix.com/naonomusic/naono

http://www.myspace.com/naono

Origine du Groupe : Grèce

Style : Electro , Ambient , Downtempo , Electronica

Sortie : 2010

Durant cet été j’ai écouté régulièrement le soir avant d’aller me coucher cet album de naono et celui de Mosaic Mosaic. Deux albums assez semblables dans l’esprit, avec chez le grec naono
cette facilité à faire sonner les sonorités ambient electronica cristallines de manière que dès les premières notes on se sente tout de suite prendre tout de suite de la hauteur. Les 33 minutes
de cet album passent à une vitesse folle et nous offrent un moment de pur bonheur et surtout un moment de quiétude et de douceur totalement apaisant. Pas étonnant venant d’un netlabel aussi
passionnant que Archaic Horizon (Aeron, Experience. Hold., Electricwest…). 

by Netlabels Revue

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Tracklist :

01 – Healing Process

02 – Hobo the Hermit

03 – Ocean Tapes

04 – Random Lullabies

05 – Sellotape Unicorn

06 – Tender Telescope

07 – Untitled Merrow

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octobre 16, 2010

Utah Jazz – Its A Jazz Thing

http://fnk4.files.wordpress.com/2009/06/00-utah_jazz-its_a_jazz_thing-lvcd001-front-sour.jpg

http://www.utahjazz.co.uk

http://www.myspace.com/utahjazz

Origine du Groupe : U.K

Style : Drum & Bass , Downtempo , Electro-Jazz

Sortie : 2008

Featuring on various 12″s and compilations from well respected labels, including Hospital and Innerground, Utah Jazz has tended to target quality and substance rather than focusing on the
quantity of output or capitalising on popular trends. Releasing his debut artist album, « It’s A Jazz Thing », on Bryan G’s V-Recordings offshoot Liquid V, Utah Jazz has cemented his position as
one of highest calibre producers that would currently be categorized under the ever-broadening umbrella of liquid funk. Whilst several highly credible drum and bass albums have been released in
recent months, to a greater extent than has been accomplished so far this year, Utah Jazz has achieved a balance between conveying a cohesive theme and displaying an uncompromising attitude
towards diversity and character. The consequence is a collection of complementary tracks that are likely to be on rotation at home or in the car for longer than is usual for drum and bass.

Whilst other influences are apparent, the core of the 12 full tracks and 3 interludes that comprise It’s A Jazz Thing is highly reminiscent the raw original sound of disco. Setting the tone,
« Feeling Inside » begins the album with spoken word snippets and layered vocal samples, the powerful tight breaks highlighting the fact that not all modern soulful drum and bass is necessarily
« liquid ». Raising the energy levels with a full vocal, intensifying build up and a drop that releases a catchy hook, the album’s second track « Back in Time » has been popular with DJs whilst
receiving significant airplay on BBC 1Xtra. Following on, « Mesmerize » is the album’s first subtle roller and the deep jazz sound it encompasses is found again later in the likes of the reggae
tinged « Riddim Track ».

« Piano Interlude » is one of three interludes that divide up what is a well-structured album. Whilst they do a job, they are perhaps generic and typical of a dnb producer working at a lower bpm.
Additionally, there are tracks on the album that, whilst not distracting from the overall quality, are not executed as effectively as others. Unfortunately the final track, « Acoustic Jam », sounds
less atmospheric and slightly immature when compared to many of the others. Leaving the end of the album isolated to a degree, it was also slightly disappointing that the collaboration with
Atlantic Connection, « River Track », was not more arresting considering the strength and originality of Atlantic Connection’s recent releases.

The deep, soulful and more euphoric aspects of early house are also smoothly captured. « Runaway », a previous single, features a familiar sounding warm 80s soul style vocal and the stripped down
« The Message » is reminiscent of original New York or Chicago house. In contrast, the pitched up « head in the clouds » sample gives « Cloud 9 » a uniquely UK feel. In leaving the vocal quite exposed
alongside an understated bassline Utah Jazz avoids creating what could have been a more disposable peak time single whilst guaranteeing an instant reaction from fans of old skool hardcore.

It is, however, in the recreation of the sound of funk and original disco that gives « It’s a Jazz Thing » its character. « The Only One » encapsulates the album’s mood more than any other track and
will probably be recognised as classic in years to come. An ideal summer anthem with each element, including an uplifting vocal, complementing the other perfectly, this is a sultry yet emotive 6
minutes evocative of idealisations of Detroit or New Orleans. With characteristically effective percussion, the more relaxed « La Cinta » continues this theme and is as fitting for Sunday mornings
at home as it is in the car or as the soundtrack to evening at a beachside bar. « Funkless Life », produced alongside Soulmatic, is slightly sweeter and is comparable to several tracks that have
been released on V since Marky and his counterparts exploded on to the scene in 2001.

With « It’s a Jazz Thing » Utah Jazz has provided enough soulful energy to please summer ravers and enough depth and diversity to please more dedicated dnb fans. It is the intrinsic underground
nature of drum and bass that often results in the potential of a particular style not being fully explored or perfected due to producers consistently seeking originality or aiming to balance a
recent period of one style’s dominance by taking the music in the opposite direction. What Utah Jazz has proven is that, although this album may not appear as original as those in recent years by
Commix, Matrix and Futurebound or others, sometimes using a particular sound in a slightly different format, or crafting songs so that a style’s potential is fully realised, can be just as
innovative as more obvious attempts to create something fresh.

Most importantly however, and a rarity in drum and bass, he has produced a textured and themed album that is more that a collection of 12″s. The execution of the ideas behind the album, its
influences, and overall quality, provide it with the potential to be a critical success outside of drum and bass. As vinyl sales fall it is vital to gain support from people who have diverse
tastes and do most of their listening at home, from the people who bought Timeless and New Forms. Utah Jazz has the product right, the marketing and PR may be more difficult.

by  rob

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Tracklist :

1. Feeling Inside 5:38

2. Back In Time 5:14

3. Mesmerize 5:56

4. Piano Interlude 1:05

5. The Message 6:39

6. Cloud Nine 5:41

7. Funkless Life ft. Soulmatic 6:39

8. Atmosphere Interlude 1:12

9. The Only One 5:59

10. Riddim Track 5:54

11. La Cinta 5:00

12. Sultry Interlude 1:12

13. Runaway 7:01

14. River Theme ft. Atlantic Connection 5:54

15. Acoustic Jam 4:29

mp3

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